In 2022, I was hired for a freelance project by Twitter, now X, to travel to Rio de Janeiro as the Video Editor in charge
of editing social coverage videos for the Queremos Festival, which would be published on the platform in real time.
As it was a pretty straightforward delivery—limited to a maximum of 15 seconds—this constraint required a more
creative approach to develop engaging and impactful content within a short format like this.
of editing social coverage videos for the Queremos Festival, which would be published on the platform in real time.
As it was a pretty straightforward delivery—limited to a maximum of 15 seconds—this constraint required a more
creative approach to develop engaging and impactful content within a short format like this.